Performative & dance piece

Besos hasta agotar stock is a performative and visual project that uses the kiss as its core language, drawing from dance, circus practices, and instant composition to explore desire from a queer and Latin American perspective. The work positions relationships and ways of connecting as political territories, investigating how bodies carry inherited gestures, taboos, and social codes that can be deconstructed and rewritten through scenic action.

Situated at the crossroads of performance, dance, photography, and installation, the project unfolds through a direct, sensual, and ironic aesthetic informed by internet culture, pop imagery, and a queer-punk sensibility. The body becomes a site of resistance, where the everyday gesture of kissing operates as both artistic material and political practice, challenging the boundaries between private and public, intimacy and collectivity.

The piece also questions the gaze: who looks, what is shown, and what remains repressed. On stage, it opens a space for the performativity of desire, engaging with ideas of excess and scarcity, consumption and affection, commodification, and bodily freedom.

Besos hasta agotar stock proposes a territory of experimentation where the kiss becomes an inexhaustible gesture: persistent, radical, and detached from logics of consumption. A shared space to feel, rethink, and reimagine the relationships between body, desire, and community, establishing new ways of inhabiting and activating the performance space.

artistic credits

distribution in progress

artistic direction & choreography TOMÁS PINTOS

music composition ZOE LENA REBECCHI in collaboration with invited artists

performers BORJA PALACIOS PILAR SOLIVERES JULIA KAYSER DAVID GRIMALDI ÁGUILA LEITE PANDA WAACK ALEX FUSTER IBAI JIMÉNEZ GOROSTIZU-ORKAIZTEGI

costume design TOMÁS PINTOS in collaboration with MAIA GONZÁLEZ

lighting design VALENTINA AZATTI with assistance by TOMI LEVITA